Thursday, August 11, 2011
Grant Baccico/ Doug Price
The Three Stooges
Charles M. Schulz
Jackie Gleason and The Honeymooners
Monty Python (Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin)
Doug Walker (That Guy With The Glasses)
Spike Jones and his City-Slickers
Weird Al Yankovic
Rene’ Goscinny/Albert Underzo
Kyle A. Carrozza
Ed “Big Daddy” Roth
Carroll O’ Conner/All in the Family/Norman Lear
Paul Coker Jr.
Ross Bagdasarian, Sr.
Total Television Prod.
Thurop Van Orman
C. H. Greenblatt
H. C. Chambers
Dean Martin/Jerry Lewis
Sgt. George Baker
The Marx Brothers (Groucho, Chico, Harpo)
Tom Yohe Sr.
John R. Dilworth
Andy Griffith/Don Knotts/etc.
It’s Always Sunny In Philidalphia
William Van Horn
J. P. Morgon
Dave Hulthen Jr.
The Annoying Orange and Danobe
20s-80s commercials and advertising
Tim Burton and Vincent Price
Don "Duck" Edwing
Sir John Tenneil
Animaniacs and Stephen Speilberg
Trey Parker and Matt Stone
Dan Aykroyd and John Belushi
Daryl Hall and John Oates
Mystery Science Theatre 3000
Paul Fusco and Tom Patchett
Vincent Van Gogh
Adam West's Batman
Sherwood Schwartz and Gilligan's Island
Francisco Ibáñez Talavera
Monday, August 8, 2011
This is by far one of the greatest Bugs Bunnies ever made. Directed by Bob Clampett, and mostly animated by Rod Scribner, this film is animated ecstacy. This cartoon always makes me proud to be a cartoonist, mainly because it's the kind of film I'd love to make: pure wackiness, incredible acting, amazing jokes, and wonderful charcters.
This the famous scene in the film, amazingly animated by Rod Scribner. When you look at it frame by frame, it looks almost disconected, but when you see it move, it flows by so smoothly.
When I first saw this cartoon, it was a revolation. The fact that it moved different than the other director's cartoons. The extreme wrinkles, perfect construction, wonderful wackiness, the feeling this gave me was different, but exilerating.
Scribner always drew realistic teeth on his characters.
Somehow, it adds to the fun of it all.
Also, kudos to Mel Blanc for probably the best Bugs Bunny performance he ever did.
The rhythm of his voice is wonderful to hear. It's extreme and and almost violent, yet still retains it's fun appeal and that kinduv thing. This, and his Sylvester in "Birds Anoynimous" are probably his greatest performances ever.
God, Scribner draws beautiful hands!
And tons of goofy expressions!
The zanniness grows.
Nice use of carrot chunks.
On an artist level, this pose is brilliant. Great expression, flowing line of action, and the weight on Bugs is magnificent.
More carrot chunks!
Scribner always drew great, big eyes - a big influence on me.
Nice lip action here.
Boy does Bugs have tons of manic expressions here! They're all filled with those big eyes and teeth!
Bugs looks like an insane murderer!
Nice close-up on Bugs' toes - Note 4 on the the clode-up and 3 on the other foot.
These wrinkles just crack me up!
These faces just get weirder and weirder!
These two expressions (above and below) are two delightfully odd faces.
Clampett had an bizare habit: he'd frequently switch animators in the middle of a scene, mostly between Scribner and McKimson, like above. Maybe Clampett liked to see the difference between two great animatiors (and directors).
This cartoon isinspirational, and you can find this and other Clampett classics on these:
I now introduce you to the one and only Shorty Duck, the leader of my merry cartoon stars.
I created wen I was young. Probably since I was 7 or 8, inspired by Bugs Bunny and Woody Woodpecker to create my own character. He's evolved a lot over the years and still is front and center.
Shorty started out as a regular wiseacre smart-aleck, who regularly beat up on poor old Carl Cat.
But after being exposed to the aforementioned cartoon characters, the comics of Robert Crumb abd Vaughn Bode, and the comedy of Groucho Marx and Doug Walker (the Nostalgia Critic), Shorty was born again. Here is really what the character is summed up in:
-He's incredibly smart and maripulative
-He's a womanizer who lusts after women, but in a calm and cool way
-He is incredibly violent and loud-mouthed, yet is subtle and foxy
-Knows how to take control, yet can easily go crazy with it
-Insane, but with self-control
-Can get jealous and angry easily
He's also evolved from Looney Tune-type protagonist to a villian for another character of mine, Captain Aardvark (whom I'll show you in another post) to pretty much both. He's by far my favorite character I've made and he's the one I'm most proud of.